The Little Feminist Seamstress

I found Dai Sijie's Balzac and the Little Chinese Seamstress on a post-election booklist beside Orwell's 1984. It was a part of my last big Amazon purchase before I committed to the boycott (see Trump products and allies to boycott at #grabyourwallet).

The fact that I ordered it at all -- let alone picked it up shortly after it came in the mail -- makes me a little sheepish. At one point in my life, half of my male friends were dating Asian women. I'd scoffed at their sudden, put-on interest in everything Asian.

Now here I am dating a Korean woman and genuinely drawn to Asian-themed news stories, books and arts. Drawn, I should add, in a mostly white fashion: I'm curious about all of Asia, regardless of region or ethnic group. The exception is news stories about modern-day Korea.

Balzac and the Little Chinese Seamstress is set in Communist China, when two city boys from middle-class families are sent to the countryside to be "re-educated." The center of the book is a young seamstress, raised by her father, just discovering her womanhood and power, alongside the two boys and a handful of Western classics in Chinese translation.

Spoiler alert.

I loved everything about this book: the vivid descriptions of the Chinese countryside, the dailiness of rights infringement in a totalitarian society and the way in which people resist oppression, in big and small ways.

We see the girl's strength when she handles an unplanned pregnancy without consulting her boyfriend. It's a powerful picture: this slip of a girl, all of eighteen, from the middle of nowhere with no education, pulling herself together to get an illegal abortion and high-tail it out of town, leaving the boys in the ancient dust.

So I resisted the last line: "She said she had learned one thing from Balzac: that a woman's beauty is a treasure beyond price."

That's not the lesson! It's anti-feminist! It's objectifying!

Then I took a breath. The last lines come to us through her rejected love, and may be unfair or inaccurate.

Another breath. Beauty and power are not mutually exclusive, and the journey to confidence often contains both, especially for young women.

To Meryl, with Love

Hollywood actors are: educated, diverse and liberal, "just a bunch of people from other places." And Meryl Streep is their queen.

She didn't disappoint last month, accepting her lifetime achievement award at the Golden Globes and delivering a speech that cut right to the heart of the issues of this election: insiders vs. outsiders, freedom of the press and what we can possibly do next.


Some of my favorite moments:

"This instinct to humiliate, when it's modeled by someone in the public platform, by someone powerful, it filters down into everybody's life because it kind of gives permission for other people to do the same thing...When the powerful use their position to bully others, we all lose."

"We need a principled press to hold power to account, to call them on the carpet for every outrage. That's why our founders enshrined the press and its institutions in our constitution."

And, quoting Carrie Fisher, "Take your broken heart. Make it into art."

Long live, Queen Meryl. We're going to need her wisdom in the days, months and years to come.